CUT / The Filmmaking Journal The kit, the crew, the schedule, and the thing that went wrong.
CUT · Number · In camera

Camera setups per day, across a two-day shoot

Noel Paul on Mitski's "Where's My Phone?", shot over two days in mid-November 2025 in a Victorian gothic revival house upstate New York: "And we had to work fast. The shotlist was enormous. We did something like 35 setups per day."

Victorian mansion with a red roof and balconies

Noel Paul on Mitski's "Where's My Phone?", shot over two days in mid-November 2025 in a Victorian gothic revival house upstate New York: "And we had to work fast. The shotlist was enormous. We did something like 35 setups per day."

Setups per day is the single most useful number a director can publish and almost nobody does. It tells you more about what a schedule actually felt like than a budget does.

The location had to sit inside the twenty-five-mile production zone radius around New York City. An FPV drone was considered and rejected: "the house was cramped and full of precious antiques, so an FPV drone wasn't possible. And anyways, I think they lack the finesse and personal touch you get with a handheld camera."

Told to www.promonews.tv. Specs, budgets and crew are quoted only as stated there.

A spec or a number wrong here? Tell us and we will correct it against the source.